What do you get when you mix soft rap, a dash of K-pop chaos, and a two-seat convertible flying through the Hollywood Hills at night? You get “Passenger princess,” the flirty, late-night-drive anthem from Tutafarel — the Brazilian-born, LA-based multimedia artist whose upcoming album Monte Casanova is shaping up to be part queer fantasy, part digital fever dream.
The song is sexy, playful, and cinematic, but like much of Tutafarel’s work, it’s got depth under the gloss. Inspired by everything from 90s action films to Giacomo Casanova himself, the Monte Casanova universe blends music, literature, and film into a story about desire, imperfection, and making space for softness in a hyper-staged world. We caught up with the self-described passenger princess to talk queer intimacy, musical inspirations, and what it means to just be along for the ride.
How would you like to introduce yourself to the Grindr fam?
Hi! I’m Tutafarel, a Brazilian-born artist living in LA. I like to think of myself as a bit of a polymath, or a “Renaissance man”, if you will. I write, produce, perform, direct, edit... and occasionally overthink all my life choices.
I make multimedia pop projects, but I also have an academic side: I love studying and writing about film and media theory. I’m a total nerd who’ll stay in watching Star Trek one night, then dance until 3 a.m. the next. Call it the best of both worlds! I try to follow my heart more than my head these days, very Passenger Princess of me.
Q: So, let’s get into it… what exactly is a Passenger Princess? And why are you proudly claiming the title?
To me, a Passenger Princess is someone who chooses softness in a world that demands control. It’s someone who reclaims pleasure, romance, and intimacy as forms of agency.
The song came from a real moment: riding shotgun late at night through the Hollywood Hills, this guy driving with one hand on the wheel and the other on my leg, music loud, lights rushing past. I looked at my reflection in the window blending with the city lights, and for a second, I felt pure joy in letting go. There was something beautiful about surrendering to the moment, letting an outside force take over.
The “Passenger Princess” title felt like the perfect way to explore that. In a world dominated by surveillance and curated online identities, we all need the reminder that life is happening now, and that sometimes, the most radical thing we can do is enjoy the present.
Q: Your music video and the Prelude teaser you posted on Instagram both have serious cinematic vibes. What inspired them?
The visual world of Passenger Princess is meant to define the ethos of a modern-day romantic; someone soft, emotional, and self-aware in the age of digital spectatorship. With the prelude teaser in particular, I wanted to create a filmic artifact that blends fiction and self-portraiture. The visual style was heavily inspired by Agnès Varda, especially her documentary The Gleaners and I. I loved the raw, handheld intimacy in her work; the way she reframes the ordinary as poetic. That was the foundation for the way I shot this: low-res, spontaneous, and deeply personal.
At the same time, I wove in scenes from films like Thelma & Louise, The Perks of Being a Wallflower, and Lost in Translation, all of which touch on queer-coded themes of escape, self-discovery, and intimate rebellion. I was curious about what it means to insert a queer body into those cinematic lineages. What does it mean to be the passenger, not the driver? The one watched, not the one in control? The video becomes an act of queer authorship, using montage, reflection, and touch to rewrite traditional dynamics of power and desire.
The music video moves between moments of voyeurism and intimacy: taking selfies, lounging in bed, riding through the city, and even disappearing into a fantasy world when taking a shower. It’s not just about being seen, but seeing yourself, and realizing that surrender can be powerful too. The Passenger Princess doesn’t escape reality. They rewrite it.
Q: What’s the story behind the song itself? Where did it come from sonically and emotionally?
When I was making Passenger Princess, I was listening to a lot of K-pop, that shiny, glitzy, high-energy kind of sound, but also Doja Cat, PinkPantheress, Addison Rae, and Brockhampton. I wanted to blend all those worlds together: the glossy hyperpop edge, the soft feminine sparkle, and that confident, chaotic male energy. Sonically, it’s all beep, boppity-boop, but in a way that feels warm and intimate too.
Emotionally, I wanted it to feel like joy. Like something you put on while you’re biking through the city or getting ready to go out, something that lifts your spirit instantly. I think of it as a flirty little confidence spell.
I produced the whole thing myself on GarageBand, like the rest of my debut album, because I wanted to keep that bedroom-pop intimacy. There’s something powerful about making a pop anthem from scratch in your room, it’s both personal and larger than life at the same time.
Q: You’re not just dropping a song, you’re building a universe with your album. What is Monte Casanova all about?
Monte Casanova is my debut album, and I wanted it to be a project that really represents me sonically, something innovative but still rooted in pop. I think of it in the same way Motomami is for Rosalía, Melodrama is for Lorde, or Montero is for Lil Nas X; a world of its own. It’s an album that moves through different moods and genres but always cohesive, like you’re being taken on a journey.
While I was working on the music, the universe started expanding on its own. The songs were so visual that they naturally evolved into storytelling, and that’s how the book of the same title and a TikTok series were born. The book, which is Succession meets Romeo & Juliet, is a two-act queer tragedy set in a futuristic Los Angeles ruled by media spectacle, where love and politics blur into a chaotic unfolding of desire, intimacy, and betrayal. The daily TikTok series acts as a prelude, turning that universe into something lived, part diary, part drama, letting people step inside it in real time.
Together, they form one big narrative about desire, identity, and the chaos of being seen in the modern age. I wanted to create something cinematic and emotional, but still Pop at its core, something that invites people to get lost in it the way I did while making it. It’s Pop escapism down boots!
Q: How do you think the idea of the Passenger Princess speaks to the queer experience today?
There’s something very queer and radical about surrender. We’re constantly negotiating power, identity, and desire, often without a roadmap. The Passenger Princess is someone who creates their own archetype. It’s about letting go, but also about being witnessed. There’s deep tenderness in that. We deserve to be soft. We deserve to be held. And we can still hold power in that softness. Letting go doesn’t mean living passively; sometimes it’s the most intentional act of all.
Q: Who or what inspires you right now — musically, aesthetically, emotionally?
This artwork was drawn by John Brooks. We got together one afternoon and he took some photos of me that he later turned into this piece. That’s his dog Ludwig, by the way, sitting calmly next to me. I didn’t give him a specific brief. I trusted his eye and I knew that whatever came back would feel honest.
What I love most are the strokes. You can see his hand in them. It’s not slick or overly polished. It’s soft and a little vulnerable. The texture makes it feel like a memory, or like someone trying to hold on to how something felt rather than how it looked. There’s something really tender in that.
John’s work often blends queer intimacy with dreamlike stillness, and I think this image is a perfect example. It captures the romance at the heart of “Passenger Princess.” Not romance in the sense of a love story, but romanticism as a worldview. The colors, the quiet, the way Ludwig looks at the viewer. It’s subtle, but it says so much. It reminds me that queerness can be soft and lush and dreamy, and still hold power. This isn’t a cover that screams. It glows.
Q: Last question: any message for other fellow Passenger Princesses reading this?
Just live in the present. Try not to worry too much about others, just do you. Ask for fries on the way home. You deserve it.